Jacob":1ci9zt7b said:Would an artist be happy with pencils only sharpenable at dawn?D_W":1ci9zt7b said:CStanford":1ci9zt7b said:That's a reasonable strategy in any age. It's not significant commentary on anything other than a workshop practice, for instance spending the first fifteen to thirty minutes of the day making sure the tools one expect's to use that day are sharp.
That makes more sense now -desiring to set sharpening aside as something to be done outside of the work cycle.
Getting back to reality - you do it as you go. If you do it freehand you hardly f**g notice it's like blowing your nose.
You're preaching to the choir. Some people like that kind of thing, I like to do it when it's necessary and only keep one iron in nick as two of my three are clocked to the cap iron and I like to know their cutting edge is in line with the cap well.
I understand in some cultures (especially japanese) that some of the craftsmen don't like to sharpen their tools on paid time because they don't want to be seen doing it, so they sharpen on breaks or before or after work. I think that's like hiding the fact that you put gas in a car, but that's their hang up and not mine. I figured maybe mentally Peters would've felt good if he did that outside of his work routine for some reason.