bugbear
Established Member
Thanks for that - some strong, lucid reasoning there. =D>ED65":2vhlt3s5 said:The main thing is it's tackling such a tiny area, and the change in scale makes all the difference because the working times are so short. Or can be, honing style is a bit of a factor hence why I said largely.bugbear":2vhlt3s5 said:Why is applying an abrasive to metal different in kind to applying an abrasive to wood? I can confirmED65":2vhlt3s5 said:Too big a grit jump is largely a red herring in honing. It is a very big deal in sanding, but honing isn't like that at all.
from practical experience that when aiming for a surface finish on metal, the same rule (it's fastest and best
when you don't skip grits) that applies to wood applies to metals.
Is honing different, and if so, why?
Most agree that the key thing in a progression during honing is just like when sanding not to waste time at any given step yes? Well because of the very small surface being worked it can take no noticeable extra time to make a big jump in grit that nobody would use when sanding, manually or using power sanding.
There's commonplace supporting evidence for this in the gaps in grit between the two sides on some combination stones, many skip a grit (at least one!) in a sanding sense yet they seem to work perfectly well as a progression in sharpening stones. To give one example, a Norton India is P150 on one side and P400 on the other. Few would use that progression sanding wood, or metal, I'm sure there would be at least two intermediate grits, but it works in sharpening.
Further support is in a recommendations previously in this thread. Think of the rating of a good slate hone. It's variously estimated at somewhere between the lower single digits and into the tens of thousands. And don't many in a British workshop use it after an India stone? Which makes this very acceptable jump at minimum P400 to P2500, and quite possibly P400 to F2000 which skips 16 grits!!
BugBear