Nomad
Member
Maybe I should clarify my intended usage. The main function I want is bench dogs that can be used to hold body and neck blanks for solid body electric guitars, primarily for planing and routing, and some shaping and sanding. Some neck work - mainly spokeshave - would be done in a Tirani-style carver's vice clamped to the top of the bench, or to some other bench.
Here's the carver's vice I made...
...and how a neck is typically held in place when shaping the back or fretboard...
The base is 500mm long, and it's 250mm high. It's clamped to this smaller bench at an angle to get comfortable access when using spokeshaves.
For most other work, the carver's vice jaws are too short, and normal bench height is preferable. Neck blanks need length and one dog at each end, guitar bodies (blanks or shaped) are better held with two dogs at each end (or however many work when arranged in such a way as to grip an irregular shape), and need less length. Both need room for a long plane to come off the end. For two-piece guitar bodies, there would be a need to hold the halves in a vice for jointing (pieces about 500mm long, 180mm wide, 45mm thick, jointed on the 45mm wide long faces), which is tricky in the carver's vice.
I've seen many a Paul Sellers video, and what he does with his Record vice, but I rarely find myself doing the sorts of things that he does. For the odd times that I do, I've been able to manage with either the carvers vice, a bench hook, or clamping the piece near the edge of a bench. What I'm missing is a flexible, stable bench dog system (and a decent, heavy bench rather than the horrible Clarke Woodworker effort I'm currently using). As a result, I've been considering making a bench similar to the Sjobergs Elite type, with front and end vices having wooden jaws, using a mechanism like the large Veritas type. The bench would be all beech, with the jaws around 500mm long, faced with leather (as seen on the carver's vice).
If the Veritas vices rack, in which direction(s) does it happen, and what sort of angle out of parallel do the jaws get to?
Here's the carver's vice I made...
...and how a neck is typically held in place when shaping the back or fretboard...
The base is 500mm long, and it's 250mm high. It's clamped to this smaller bench at an angle to get comfortable access when using spokeshaves.
For most other work, the carver's vice jaws are too short, and normal bench height is preferable. Neck blanks need length and one dog at each end, guitar bodies (blanks or shaped) are better held with two dogs at each end (or however many work when arranged in such a way as to grip an irregular shape), and need less length. Both need room for a long plane to come off the end. For two-piece guitar bodies, there would be a need to hold the halves in a vice for jointing (pieces about 500mm long, 180mm wide, 45mm thick, jointed on the 45mm wide long faces), which is tricky in the carver's vice.
I've seen many a Paul Sellers video, and what he does with his Record vice, but I rarely find myself doing the sorts of things that he does. For the odd times that I do, I've been able to manage with either the carvers vice, a bench hook, or clamping the piece near the edge of a bench. What I'm missing is a flexible, stable bench dog system (and a decent, heavy bench rather than the horrible Clarke Woodworker effort I'm currently using). As a result, I've been considering making a bench similar to the Sjobergs Elite type, with front and end vices having wooden jaws, using a mechanism like the large Veritas type. The bench would be all beech, with the jaws around 500mm long, faced with leather (as seen on the carver's vice).
If the Veritas vices rack, in which direction(s) does it happen, and what sort of angle out of parallel do the jaws get to?