Trainee neophyte":5m5ti5zb said:
Phlebas":5m5ti5zb said:
Trainee neophyte":5m5ti5zb said:
A fondness for Cliff Richard is not helping your cause. "Wired for sound"...
If you look at the positioning of parentheses if my comment you will see that my fondness is purely for Final Countdown. Cliff is lumped in with the other meretricious inadequates, deserving only of contempt. And rightly so, the wrinkly old god-botherer.
Reading comprehension not my thing, apparently. Panic over.
Mmm. I accept your apology. I’m disappointed you even considered that I might have been a fan of Harry Webb.
However. Prog Rock, is your thing you say. Well, how far does this rabbit hole go.
The drummer in my first band was heavily into King Crimson (Bill Bruford era). Which leads you onto Gong (sort of like a drugs gateway). One, or actually both now I recall, of the keyboardists were into The Enid. One fanatically.
The first song we played in public was a version of ELPs ‘Fanfare…’ Which distinguished itself by being even longer than the original. Unfashionable even then.
So I have some idea whereof I speak.
And Prog was largely self-indulgent tripe. No-one needs drum solos. No one needs concept albums. (Oooh, I can have go at Rick Wakeman now, for all that he is supremely talented, and very funny).
I was the only person in my circle arguing for the attraction of, say, John Taylor’s bass playing. Far more fun. You could dance to it. And the songs were shorter, even if the lyrics didn’t make any more sense. And you got to dress like a demented peacock on speed. What’s not to like.
Go on then, make your case for Prog…