Hello,
Elisha designed the jig for my use, so I should clarify a few things, since I know what she has done and why I wanted a jig that elicits the results that it does.
Re concerns:
- Having to move the fence every time introduces errors both for verticality of the fence and slight variation in width
- What have you done to prevent any slight movement of the jig in the t slot. Also not all bandsaws have a t slot
- The thickness of the jig compromises where and how the right hand applies pressure to the piece of wood. The video is a real safety concern
- The fence being used is too low and when combined with the point above is an issue. Easy to rectify and would look better on the video to show you had considered
- When cutting veneers the approach being taken means that there is only the thickness of the veneer between the blade and the operator on every cut. I suggest you look at how to incorporate a featherboard to maintain pressure. This would also fit with your concept that the jig is the fixed reference point and you adjust the fence after every cut. Note with the traditional approach you always have the full thickness of the block minus the veneer being cut between the blade and the operator
- What is the thickness range that you can cut as I would suggest about 1.5mm for veneers but you could also use this for cutting laminates so need to go up to around 6mm
Verticality of a fence should not be an issue; the fence should always lock up in a vertical position every time and anywhere along the fence rails. If it doesn't it is a fault of the bandsaw and not the jig and the issue should be addressed by the operator. A fence that is unreliable is next to useless for any cut it is asked to do. Mine are reliably square to the table and do not introduce drift as I tuned them to be so.
There are many guides on the market to adjust for slop in mitre slots. It is no different here, Elisha made a zero play slide bar for the bandsaw the jig is to be used on. Other bandsaws have standard 3/8 by 3/4 inch slots and there are some others. Facility to replace the bar for other sizes is accounted for. I don't recall any modern saw without a mitre slot. I did own an 80 year old Oliver once that didn't... The main body of the jig could just be clamped to the saw table, with a baton referencing of the table edge, for the exceptional saw that did not have a mitre slot.
The third point is completely opposite of what is true. It is always better to have the bulk of timber between the fence and blade, with the offcut being the narrower strip. Think of ripping an inch from a wide board on a circular saw. The inch rip is always on the offside of the blade, never between the blade and fence. When ripping veneer with this jig, the same squared reference face and edge of the timber bears against the fence and always does, no matter how many veneers are cut. Cutting the veneer on the fence side removes the reference face every time and this has to be re-established, every time, wasting material.
Admittedly, a tall fence should have been used for the video, and I would always use one for this type of work. The principal of the jig is not affected by the fence being low, however and to be fair, cutting the thin fillets on the off side of the blade makes a tall fence less critical.
A feather board would press the thin veneer into the blade and roughen up the cut. (Unless the point of pressure was only in front of the blade, in which case there would be little benefit over just using a push pad manually, but this would be user preference) The idea of this jig is to reduce waste and make the veneers suitable for laying straight from the saw. (Perhaps a tickle with a card scraper to remove the odd bumpy bits) Part of the issue with slicing veneer the other way, is guiding the cut by pushing the thick side of the wood into the blade whilst bearing against the thin veneer on the fence, tends to scar both the veneer and the baulk of timber. This inevitably means taking the timber back to the planer and the veneer to a thickness sander. More lost wood! A push stick right at the end of the cut, used carefully so as not to press the veneer into the blade's tooth set is achievable when cutting the veneer on the outside.
The jig has an adjustment range from zero as the initial datum setup toa maximum of 9mm. There is a cam type adjustment wheel that is infinitely adjustable between zero and max and a polygon type, which has predetermined settings at 1/2mm increments. This enables reliable repeatability at any time.
The main reason I wanted a device to help accurately size veneers on the off side of the bandsaw blade, was to reduce waste. It is amazing just how much wood turns to dust, just by making the bandsaw cuts. If every veneer is then thicknessed both sides and the mother board is re surfaced every time a veneer is taken, then potentially the amount of waste is tripled. From the point of view that veneer is cut to stretch further the wood from a precious board, it makes little sense to turn much of it into sanding/saw-dust and planer chips.
Also, when book-matching, the closer the veneers are to each other, the more accurate the match. Even just a bandsaw kerf can upset the match more hoped for, especially if the grain runout on the board is extreme. Add to that avoidable losses made resurfacing the block and thickness sanding the veneers and the match is often ruined and the whole board is then unused and wasted entirely.
Hope this clarifies some of the issues.
Mike.