I would have thought that one key difference between the amateur and the pro is that the latter will have been trained in every technique he could need i.e. he'll have done everything once even if some of those things were only done during training. It's more probable that the hobbyist, as he takes on ever more ambitious projects, will constantly be confronted with new challenges, all of which can only be dealt with by preparation and planning from first principles. Just consider Derek Cohen's lingerie chest which in the complexity of its geometry seems to me to be the Rubik's Cube of cabinet making (honestly: I just can't get my head around the joinery and so have given up trying to fathom it and now just enjoy looking at the pictures!). How many of the more experienced hobbyists on here could just dive into doing that without having to get their thinking caps on for a while so as to deal with hitherto unencountered challenges?AndyT":18lgx95w said:Thanks for posting this review. I agree that it's an excellent book to cover the essential basics in a systematic way, like a school teacher would do. (I think it's no surprise that an experienced teacher like Wearing can do a better job of explaining things!)
As for the interesting discussion of speed, I think it's a definite distinguishing factor between amateur and professional or rather, inexperienced and experienced.
I've done two lengthy projects that I have documented in exhaustive detail on here. The step - chair took nine months and the chest of drawers took four. Much of this time was spent working out how to tackle some aspect or comparing one tool or method with another. If I was making furniture for a living I would have to be faster. I definitely had sessions where there was no visible difference between before and after, but I had done some thinking.
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