Legs and stretchers all brought to final dimensions. Pleased with how square they’ve all come up. I find with bigger timbers it can be hard to get them properly true.
Unfortunately I can’t cut to length as the new blades I bought for the mitre saw turned out to be super sharp but I then had two issues of kick back, I think it’s because they are positive rake blades, so I’ve ordered an alternative. Not sure if it was my kickback incident or already like it but I found the saw fence to be bent, so had to order a spare.
Most of the timber I use has been sourced locally off gumtree and so quality is not assured! This makes it interesting to try and decide what bit to use where and also the finished sizes can be variable. Picking the face for each leg I got four I really liked.
On a Roubo bench the edge of the top is flush with the legs so that a leg vice will function and the legs form part of the workholding approach. This means the leg frames need to be the same width as the top, with trying to make the most of the timber I was unsure what size the legs would turn out and how deep the top would be. Now with finished legs I could decide final dimensions.
I’m roughly following the plans in Chris Shwartz book but again my timbers are not the same dimensions so it has to be adjusted. Mortice and tenon size was one thing to workout, settled on 32mm thick and 3” tall
I’m fortunate to have a morticer so some experimentation with chisel size ensued. Use the 3/4” big boy or the 16mm. The sycamore is an interesting timber to work as it tends to throw off chunks, it’s almost a bit stringy at times. These chunks kept blocking the 3/4 chisel, and causing it to smoke or stop turning. I could not get it to cut well even with lots of fiddling with chisel to bit offset, so it’ll be 2x16mm cuts.
Finally ready to start the joinery! Legs clamped together and reference lines scribed across. I was given the large drawing square many moons ago, it’s easy to adjust square and really useful for big projects.
Mark twice and cut once, I tend to mark up in pencil first so I can ensure it’s sensible and then use a marking gauge. The sycamore is lovely and light making pencil lines super clear. Thankfully as I made a mess up, tenons marked on opposite sides oops!
Lines marked on with a dual marking gauge and marked from the same face. Set the gauge and it remains unchanged for the whole project. In the end the morticer will set the precise positions and tenons will be fettled to fit.
Ran out of time to get cutting but ready for next time.
Fitz.