bugbear
Established Member
Cheshirechappie":rvn2l2ic said:I'm not sure there's a 'right' answer to the question of which moulding planes to start with. It entirely depends on the sort of work in hand.
A lot of moulding planes, especially the complex ones, were made for architectural and interior joinery work - architraves, skirtings, dado rails, picture rails, cornices, door surrounds, door detailing and of course sash window work. See any Georgian or Victorian building for details. Unless you're involved in restoration or conservation work, I'd say such planes are more of interest than real use.
I think the reason we find so many different wooden planes is because they're easy to make; once the maker has the parts and skills down pat, most planes are just a permutation of a fairly small set of functional areas.
Moreover, since plane making involves a lot of hand work, variation and customisation can easily be included without slowing production.
So user requirments, even from a small market place, can be met.
For example, I don't suppose there were that many people in Victorian times making air tight display cases, but there were planes dedicated to that task (and so on for many other obscure planes, read Salaman!).
Another case in point is the plane factory itself. Many production tasks were made fast and accurate by using - a dedicated plane, The ultimate example of (in modern parlance) eating your own dog food.
The reason many of these planes don't show massive sign of wear is because they performed joint cutting or decorative shaping tasks. All the heavy stock prep was done with more general purpose, easy to maintain tools. Even when the desired moulding plane was to hand, it is normal to hack away the waste with ploughs, jacks and rebate planes before a few final strokes with the moulding plane.
One auto biographical book describes that the time consuming and fiddly task of sharpening moulding planes was left to the apprentices...
BugBear