Indeed swap them for oak if you can.
Aspen is what Cosman uses for drawer sides sometimes, it looks nice to plane.
He likes this secondary timber for its white appearance, although it seems it could be a similar
case to holly as in if not dried correctly will not yield a white result.
I have a cheap Lidl/Aldi moisture meter and it seems untrustworthy for even thin stock.
I got readings of 0% on a few sticks I have against the door. (I think it was the spring time )
My shed is a bit damp, so I was expecting/hoping to get a figure of around... say hopefully not more than 12% (gulp)
Just enough to be on the border of usable material that could stored in the workshop, and be brought into the house to acclimatise
if making something intricate or complex.
On the cutting green slabs issue can be a lot of things to consider.
It depends on the stock you plan to acquire.
Not studied the best way to go about acquiring rift sawn stock for chair legs, but I'd guess it might be why folks dry in the round.
For instruments cut from very dense timbers on the quarter which is more wasteful unless you have a Lucas mill, I've often heard its done while the wood is green and soft.
Although if you have one of these machines then you'd probably prefer dry stock
https://www.youtube.com/watch?v=-AG6tHBj96Y&t=56s
(sorry, totally irrelevant just thought its a cool yoke to see)