RogerS
Established Member
Hi John
Are you sure you've got enough sockets on your Denon :wink: :lol:
Guess we're both right...
This reply from a contact in BBC R&D
Both the Radio FM system and the TV NICAM system, and now digital TV, are
able to convey Dolby Surround encoded material correctly. Most film sound
tracks have Dolby encoded stereo and we broadcast it unchanged. Many
in-house programmes are mixed with Dolby Surround encoding, almost at the
whim of the sound balancer. For instance, the sound balancer for Wimbledon
has created Dolby Surround for the last four years. And several Proms and
other programmes have been Dolby encoded. Dr Who was balanced in 5.1 for
the DVD release and was downmixed from that to Dolby Surround for the
broadcast service.
But you are also correct for other material. The use of spaced multiple
microphones on many programmes introduces sufficient phase information into
the stereo for the Prologic decoder to decide it is Dolby encoded, even
when not, and pipe such sounds into the surround channel. Fortunately,
this mainly affects the ambient (reverberant) sound elements and so the
decoded signals normally make sense - but not always.
Are you sure you've got enough sockets on your Denon :wink: :lol:
Guess we're both right...
This reply from a contact in BBC R&D
Both the Radio FM system and the TV NICAM system, and now digital TV, are
able to convey Dolby Surround encoded material correctly. Most film sound
tracks have Dolby encoded stereo and we broadcast it unchanged. Many
in-house programmes are mixed with Dolby Surround encoding, almost at the
whim of the sound balancer. For instance, the sound balancer for Wimbledon
has created Dolby Surround for the last four years. And several Proms and
other programmes have been Dolby encoded. Dr Who was balanced in 5.1 for
the DVD release and was downmixed from that to Dolby Surround for the
broadcast service.
But you are also correct for other material. The use of spaced multiple
microphones on many programmes introduces sufficient phase information into
the stereo for the Prologic decoder to decide it is Dolby encoded, even
when not, and pipe such sounds into the surround channel. Fortunately,
this mainly affects the ambient (reverberant) sound elements and so the
decoded signals normally make sense - but not always.