Thanks Ollie. Those 'systems' are eyewateringly expensive!
I have been watching Bradshaw Joinery making sashes and although he has a 2 head tennoner, I can see the process of how to do it all with the basic tooling.
Yes, the scribed bevel going through the meeting rails is a tricky one. I'll see what I can find to do that one.
I have a wobble saw to do deep gooves and a large rebate block. I also have a 40mm multi blade head by Trend, so do ovol mouldings with.
I need to find a circular groove cutter to do anti capillary grooves and drain grooves.
I have a ton of other questions about seals, tapes and the best glazing units to buy too...
It is nice to have a tennoner ideally, but actually for sash windows you are only doing about a 50mm tennon so tennon disks on a moulder is fine.
For the meeting rail just do the scribes the same as the other end, or any other joint.
Then make up a bunch of 9 degree fillets just glue them on afterwards.
The subject of glazing is complex. For listed building work. I use slim low sight line 6.5mm units with krypton gas you can get them from 11mm to 16mm thick depending on what you can fit.
I do not use dry glazing method or tapes but Hodgesons heritage putty or Dryseal for both bedding and facing the glass.
Wouldn't bother with anti capillary groove.
I normally put an 8mm groove in meeting rail and bottom rail of the lower sash and use a reddiseals self adhesive pile carrier and brush pile. Paint it first.
For non heritage work you can do it different ways, the issue is with sliding sashes the available thickness is limited. You are not going to get a 24mm unit in there with any strength left in the structure.
This is why the fancy gas is used to bring the u value down as much as possible.
Are you doing the boxes as well?
Jacob
I never got into griding my own knives though probably should. I find that for the cost of having sets made it isn't that bad.
I only get them done for the custom horns really.
Now I have a bunch, one is normally near enough.
Ollie