Advice please. On the rare occasion that there is a hairline gap between the cheek of your tenon and it's mortise, a small difference between your dovetail's tail and pin, what do you use/do to fill it?
Simon
Simon
There seem to be dozens of Isopon products - which particular one do you use?Teckel":2jidzc29 said:Isopon!
baldpate":31j65h3r said:There seem to be dozens of Isopon products - which particular one do you use?Teckel":31j65h3r said:Isopon!
condeesteso":1i8m6kca said:Odd no-one has mentioned the wax crayon? They come in a range of wood colours, and you use a palette knife warmed on an old iron to melt the wax, then fill in the gap. Problems I have with it are [1] the wax is never just the right colour; [2] it is a single colour, wood isn't; [3] not as easy to get it into a tiny gap as it sounds... maybe that is technique.
But a lot of good restorers use it often, so worth a mention.
Oh yes, and [4] I can see it. But then I know where to look :lol:
I've used the wax crayons before now. I generally force the stuff in cold using an old marking knife, but Douglas makes some useful points. I've also gone for the 'sliver' technique which is much more fiddly but almost invisible if the wood is cut and inserted correctly. Better though, not to have to fill in the first place or if you do, arrange those joints that have a slight defect to be in such a position on the job that it'll be difficult to see them - Robcondeesteso":3nm6k9tn said:Odd no-one has mentioned the wax crayon? They come in a range of wood colours, and you use a palette knife warmed on an old iron to melt the wax, then fill in the gap. Problems I have with it are [1] the wax is never just the right colour; [2] it is a single colour, wood isn't; [3] not as easy to get it into a tiny gap as it sounds... maybe that is technique.
But a lot of good restorers use it often, so worth a mention.
Oh yes, and [4] I can see it. But then I know where to look :lol:
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