bugbear":27iy289e said:
I think it is noteworthy that (prior to the dominance of auger bits) sets of brace bits are invariably (IME) mixed in type, as you say. It implies that the buyers knew, understood and exploited the strengths and weaknesses of each type, and used them appropriately.
BugBear
The Lost Art Press publication of 'The Joiner and Cabinetmaker' illustrates a Melhuish catalogue entry from 1912, showing a set of 36 bits. It consists of:
12 old-type centre bits, 3/16" to 1 1/4"
2 turnscrew bits, one forked
6 countersinks (2 each flat, rose an snail, 1 off 1/2" and 5/8" of each)
5 shell bits, 1/8" to 3/8"
5 nose bits, 1/8" to 3/8"
2 sash bits, 3/16" and 1/4"
3 rimers, 1 each square, half-round and hollow
1 Jennings pattern twist auger, 1/2"
Available in Black, price 10/6, Bright price 12/-, or Straw Coloured price 13/6. [That's shillings and pence - today those prices would be 52 1/2p, 60p and 67 1/2p. I wish!]
Interestingly, no bit roll is mentioned. Was the purchaser expected to make their own storage arrangements, or stung for the roll as an extra, one wonders?
I think that would be a fairly typical general joiner's kit; cabinetmakers and other specialist trades would have slightly different requirements. The Jennings auger is for dowelling, the rimers and countersinks for fitting screws to ironmongery and brassware (in the days before better standardisation of sizes), and the other bits for general drilling. Interesting that the sizes of shell bits and nose bits duplicate each other - it may be that one type or the other was preferred for different tasks, such as through holes, long-grain drilling etc. The sash bits are clearly for one main purpose. The centre bits are for larger, shallower holes, and the fact that the range of sizes is more comprehensive suggests that they were expected to do the bulk of drilling work. Also worth a mention is that very small holes would be produced by bradawls or gimlets, both non-brace tools. Most craftsmen would have at least two or three, and perhaps several sizes of both.
You don't come across many intact sets; hardly surprising, really. Most kits suffer wear and tear, losses and breakages over time (especially the smaller sizes of bit), and subsequent additions. I suspect also that most craftsmen would not have bought sets, but would have spread the cost by purchasing individual bits as the need arose, and made up their sets that way. That seems reflected in the contents of kits that come up for sale today, anyway.
The 1938 Marples catalogue uploaded to Toolemera by AndyT also lists sets of 24, 36 and 48 bits. I suspect they were available long before 1912, and some while after 1938.