Eric The Viking
Established Member
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- 19 Jan 2010
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It's a subject that hasn't come up very often here, according to my searches.
I'm mulling over a curvy design for a TV stand/storage system, which would have horizontally-running tambour doors. I found some references, and there's a section in Alan Peters' revision of Joyce, which is frustrating in what it doesn't say!
Unless I do something to address the problem, the weight of the door is borne solely on the end of the slats and the bottom groove. I'm guessing this will cause it to wear and or become stiff over time, so I'm wondering about other strategies:
Is it worth trying to arrange some sort of bearing system to avoid excessive wear on the lower groove of the tambour? I'm wondering about insetting a small bearing, say every fifth slat, so that it rolled rather than slid. Given I was going to rout the grooves in some sort of faced board (don't wince please!), I'm guessing I'll have to line the bottom groove anyway - a problem as I don't want it to travel on straight lines. Another alternative is to 'hang' the tambour on something like curtain track. I was planning an upper 'valance' to hide the top, so that's also possible.
Also, I'd guess genuine canvas of a suitable weight is hard to obtain these days. So if not canvas, what's the preferred material (Alan Peters says 'silk!')?
I'd be interested to know if anyone has tackled a horizontal tambour. There was a stunning marquetry piece at Cheltenham in 2010, running horizontally past fretworked sides. To my shame, I can't remember who it was by, but it ran beautifully and looked gorgeous.
Thoughts appreciated,
E.
I'm mulling over a curvy design for a TV stand/storage system, which would have horizontally-running tambour doors. I found some references, and there's a section in Alan Peters' revision of Joyce, which is frustrating in what it doesn't say!
Unless I do something to address the problem, the weight of the door is borne solely on the end of the slats and the bottom groove. I'm guessing this will cause it to wear and or become stiff over time, so I'm wondering about other strategies:
Is it worth trying to arrange some sort of bearing system to avoid excessive wear on the lower groove of the tambour? I'm wondering about insetting a small bearing, say every fifth slat, so that it rolled rather than slid. Given I was going to rout the grooves in some sort of faced board (don't wince please!), I'm guessing I'll have to line the bottom groove anyway - a problem as I don't want it to travel on straight lines. Another alternative is to 'hang' the tambour on something like curtain track. I was planning an upper 'valance' to hide the top, so that's also possible.
Also, I'd guess genuine canvas of a suitable weight is hard to obtain these days. So if not canvas, what's the preferred material (Alan Peters says 'silk!')?
I'd be interested to know if anyone has tackled a horizontal tambour. There was a stunning marquetry piece at Cheltenham in 2010, running horizontally past fretworked sides. To my shame, I can't remember who it was by, but it ran beautifully and looked gorgeous.
Thoughts appreciated,
E.