MikeG.":832x9ehs said:
I am involved in a conversation on the Tally Ho Youtube channel about the design of a scarf joint. One of the other contributors there has claimed that the design of scarfs in a marine environment has to allow for expansion of the timber.......but the timber in question is green (unseasoned). Does anyone know (yes, Richard, I mean you!!
) if any research has been done on this? Or whether there is empirical evidence of green timbers expanding beyond their original size?
I think you might be referring to the comment by Thomas Westgard, where he says, "
The shape of cut Leo is using allows the joint to stay clamped tight without cracking, regardless whether it shrinks or expands as the water content changes." I think he has a point because the wood in use in that Tally Ho video is said to be "green", and during the construction of those scarf joints the wood appears to work as if it's wet enough to work nicely with a mix of hand and power tools , but it's not so wet that I could notice evidence of free water either gently exuding or even bursting out of cut cells as the work took place. I've worked sopping wet wood (rather reluctantly in the past) and experienced that phenomenon, and it's a bit of bother keeping steels tools from developing lots of rust, plus, really wet wood doesn't really seem to plane particularly well as I recall it, and he did get his planes working nicely on those scarf joints.
Green sets a bit of a moving target with regard to wood's moisture content. Basically, green means the tree has been felled and the boards derived from the sawlog haven't been seasoned. All felled living trees will have throughout them wood that is at least at fibre saturation point (FSP), and much of it a great deal wetter. All FSP means, of course, is that all the the cell walls in the wood are fully saturated. All of the cell lumen within that log, or board, or any other 'lump' of wood may, or may not have free water within them. It's normal for almost any example of wood to have within it a moisture gradient, either wetter at the core than at the shell, or the opposite, being drier at the core and wetter at the shell, and the same applies to all wood, even a freshly felled living tree, or a board sawn from that tree and subsequently seasoned. The exception to that being wood that is kept in unvarying conditions of dryness or wetness for a long enough period for the wood to reach equilibrium moisture content (EMC), e.g., pilings kept permanently in water, or some sort of controlled laboratory conditions or storage facilities where relative humidity and temperature are strictly controlled and unvaried.
So, going back to to what Thomas said in that thread, I read that he recognises the wood used to make those scarf joints is pretty wet, and I'd guess it's somewhere near or just under FSP (the lack of free water oozing from the wood as it's worked is my evidence, although I may have missed seeing that phenomenon). And those beam things are being placed somewhere up in the hull of the boat so therefore not likely to be permanently wet, and most likely will become somewhat drier, and get wetter as they are affected by the conditions they experience. So, it seems likely to me that there will be some expansion and contraction of those beams in service as they adapt to their environment. I imaging, being a boat, there will be times when everything gets pretty wet, and other times when it's pretty dry. In a sense, that's similar to other exterior artifacts, e.g., the oak table sitting on my patio. Right now, it's pretty much sopping because it seems to have rained almost incessantly for several weeks, but back in the summer it felt nice and dry with the sun beating down on it and little or no rain for long periods.
Incidentally, I could point you to Chapters 6 and 7 of a book I think is half decent on the subject of timber technology, and in particular, section 6.2, but I won't as that might be a bit naughty of me, ha, ha. Slainte.