custard":3bjg5yi0 said:ED65":3bjg5yi0 said:BUT, this ignores the fact of the most important thing to ever come along when it comes to tearout prevention: the cap iron. The cap iron trumps all other things including sharpness of the edge, bedding angle, skewing, you name it.
And this is based on what? First hand practical experience or stuff you've read?
I've been working a lot with closely set cap irons since an American chap posted his videos on this forum. It's a really useful technique, but despite all my efforts so far, on many different timbers, I'm still a long way from saying it "trumps all other things".
I'm about to start hand planing a highly figured slab of Bubinga that's about 1800mm x 600mm, so too big to pass through my thicknesser.. As a timber it's roughly the density and hardness of a Rosewood, I'm not looking forward to it but it's got to be done. That job will add a small increment to my own conclusions on closely set cap irons, but I'll still be a long way from a conclusion.
It trumps all things. The market decided that over the last couple of hundred years, and especially in the era when professionals were working.
As far as bubinga goes, though, I wouldn't want to do much of anything with any plane other than smooth it - especially if it's got some curl. If I had to work it (I have hand thicknessed cocobolo), then I would, though. Thinner shavings than softer wood, and no other difference.
Depending on what one is doing, the superiority of the cap iron becomes much more evident in penultimate work (trying, etc), but it also allows you to complete smoothing faster if you are working from rough.
It also doesn't rely on sharpness to work. The only downside to it is that it takes a little bit longer for people to learn.