D_W":2k273g1i said:
I'm curious as to what steps the "stop shavers", the ones who physically stop the plane short of the edge of the board , what those folks do for squareness.
It'll vary according to board thickness. But for the 1/2" to 1 1/2" thick boards that are the lion's share of cabinet work I'll take a pass or two on the machine planer then clean off the scalloping with one or two through strokes of the bench plane. Then test for smooth, straight and square.
About half the time, maybe a bit more, that's it.
Sometimes though I'll mess up and the plane will skip or skew, generally at the start of the cut. Or I won't find the dead centre of the camber, or very occasionally I'll wander from side to side during the stroke. In any of these cases the board will fail one or more of the tests. I might go back to the machine planer, although in a shared workshop you've often then missed your turn. Alternatively you might have painstakingly matched the paired boards for a certain grain arrangement, so taking off a mill or more of wood for a second time with a machine planer might risk that. Therefore most times I'll go to stopped shavings using the bench plane. And it's during that process that I bring the board back to square.
I'll check every 4 to 6" and pencil in marks that tell me where I have to drift the camber to correct any problems. I'll keep checking, but by the time the stopped shaving sequence is done (a minute or two at most), I've generally got my eye in with the plane settings and the edge is square, but not yet smooth or straight. Then it's one or two through passes with the bench plane and I'll run a finger slowly along the edge feeling for smooth, a final check with a combi square for square/wind, and a long wooden straight edge or the blade of a 600mm combi square for straight or a minute hollow.
Next the two paired boards get tested against each other. One goes in the vice glue edge up, and the other gets placed on top of it glue edge down. I'll pivot the top board, listening for a slight scraping sound, and feeling for some friction out at the ends. If it pivots freely that's a clear fail. And I'll closely examine by eye for any gaps at the joint. If there's a sliver of daylight in the centre that's okay, but I want to know I can block it out just with hand pressure. I place the blade of a 300mm combi square vertically on the two boards at a few different positions and check that they're in line. Any concerns and I'll investigate until I've identified the specific problem and fixed it.
Next the boards get placed on waxed bearers for a dry glue up in the cramps. If the grain pattern across the boards is now out of whack this is the last chance to shuffle the overlong boards back and forth to make amends. If all's well then I generally glue up there and then. I don't like leaving edges for more than 24 hours to gather dust, oxidise, or get dinged.
One last point. I'm fussier with tight grained pale timbers than with open grained dark timbers. Just because glue lines are more obvious against a pale, smooth background. PVA gives the best glue lines, but if the job demands hide, UF, or epoxy glue then I crank up the fussiness a notch to get acceptable results. I'm looking for tight, strong joints, with invisible glue lines and I'll do the least amount of work to achieve that.