mark sanger
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OldWood":7t7lanfc said:Hi Mark
Many thanks for the reasoned reply.
The dislike of the black base started from the base that a wood sculpture that we bought recently was mounted on - and it looked such a cop out; "can't think of any way of mounting this - oh, yes a big block of cheap wood and we'll just paint it black - the punter won't know any better!". I'm sure you can see where I'm coming from.
That's the explanation and it's now in mind like the cheap opt out that all too many nice pictures in the smaller art galleries are framed in.
Your black bases have worked well when they are shaped and extended almost as part of the piece, but rectangular black against a light coloured curved form does in my eye hard anchor it to the ground. It excessively exaggerates the contrasts of form and colour, whereas to appreciate the form as a shape in its own right, it should effectively float.
Hey, what do I know - I'm a mucky engineer who has difficulty enough expressing what he thinks let alone manage to be artistic.
Rob
Rob
You are right as am I. as individuals that are subjected to different stimulus, likes, tastes etc we come to like what we do through our past and present contact with items.
It's a bit like me not liking pasta very much due to an experience earlier on. But it does not mean others will not like pasta.
The reason I used a black base on this one ( it is scorched not painted) as paint would eventually degrade outside. Is that if at time trying to compliment an item/sculpture etc what can happen is that the two pieces come together and you can lose some of the impact of the item trying to be displayed.
Also by my scorching this black I was wanting to make the contrast between the two very obvious.
As I say it is certainly something I will look at in the future but I am fairly happy with this one.