Breakout isnt something to worry about for this application. If the clamps and sacrificial boards detract from concentrating on the repeatability of cut, put break out aside and concentrate on accuracy.
I agree with Bm101, adidat and Logger.
To go a little further if I may indulge myself as a beginner. I hope this is of some help to you. Sometimes it helps me to respond to these posts because I've been through it myself and I know that if I'm wrong someone will correct me.
As a complete beginnner, I made my workbench entirely by hand, save for ripping the MDF for the top, where I used a track saw. The joinery was all done with hand saws, planes (bench and shoulder) and a chisel, interesting, using timber of roughly the same dimensions as you. I had the help of youtube and this forum. It worked in the end, but only just, and it took me months and I made many mistakes along the way. I learned so much I can't even begin to explain it. Above all, what I learned was accuracy is everything, that I had to keep my pencil sharp and to watch which faces of timber I am referencing. Even now the top isn't perfectly seated on the aprons because I didn't know the correct technique to plane the end grain at the top of the legs.
One thing I learned with table leg ends is that any errors, no matter how small, will rear their ugly heads when you have finally assembled the bench and try to use it. Table legs are a precision job no matter whether it's for a work bench or a chippendale style table. The best case scenario is to cut all legs at the same time in a single pass on a perfectly calibrated saw (I didnt have one at the time). Anything other than that has the potential to introduce further error. The longer/wider the bench the more exaggerated the error because of compounding (recommended reading, compounding was something I had no idea of since I missed geometry class).
If you've just started this whole game (as I know you have since you've told me
), let's talk about margins of error briefly. We're working to fine tolerances when it comes to furniture (of almost any sort). For table leg ends on a work bench, a 1mm error (blunt vs. sharp pencil) will make the difference between a stable bench and a dogs breakfast. In degree's, we're often speaking of 0.1 degree, which sounds completely nuts I know. 1 full degree of error on say, a mortice and tenon joint can be a disaster, heck, half a degree is still quite a long way out and can easily prevent a glue up. It all depends, but often people are surprised, or disbelieving, when you tell them just what level of precision is required for furniture. Your bench is furniture. It needs to be very stable if you're ever going to use it for hand planing, for example.
The instructions you're following are most likely excellent, but, the guy who wrote them might have 30 years experience as a cabinet maker and his tools perfectly calibrated. Something to keep in mind perhaps.
The laser on a black and decker will not be accurate enough. I'm going to take a punt and state that as fact. I'd take a guess that the saw itself will not be either. Obviously you can test this as you have a good engineers square
I totally agree with the trial and error approach. Get an extra length of timber just to calibrate your equipment on. You won't regret it. I spent 6 months (I have limited time to work on it) calibrating all my machines to get perfect cuts, but now I know, if I use my bandsaw, it's 90.0, if I use my mitre saw, it's 90.0, if I use my tracksaw it's 90.0. My planer/thicknesser is within 0.2mm of it's old school manual gauge. All the problems, heartache, stress and lost creative time doing this is worth it, because you then KNOW your joints will connect as long as your marking is on point. I made hundreds of test cuts, spent a lot on quality squares and angle gauges. The peace of mind I have now is worth 100x what i paid for all the bits and bobs to help me do it. It's so liberating I can't put the feeling into words.
Above all, if something does go wrong, don't give in. I almost did. I came so close as to actually put all my tools away and declare that this wasn't for me. I had been defeated by a lump of wood. I was so used to factory produced furniture I had no real concept of what it actually takes to be a craftman. I still dont, but I do have one heck of a lot more knowledge than I did when I started and as a result, I can make square cuts and for example, I know my bandsaw inside out and I know how to take an old stanley hand plane, recondition and then use it, at least on a basic level. It's a brilliant feeling but it took ages, at least for me.
What I'm saying is, this is a journey, enjoy it and don't do what I did and pressure yourself too much.