sunnybob":24fub6lv said:
I think you're referring to the jewellery box with walnut and maple.
Yes, I should have been more specific
sunnybob":24fub6lv said:
Your box has so many interlocking components (and in a very small item), I just do not have the skill or patience to do that kind of work. To me that's closer to model engineering.
I'll admit that patience is necessary - - - the small front catches have a 1.5mm dia spring 2mm long between the support block and the catch itself and fitting those using Nº5 watchmakers tweezers was somewhat trying :roll:
To give you a better idea of the brass-ware, I've attached images of the SketchUp drawings with just a few dimensions.
sunnybob":24fub6lv said:
My work is usually A4 paper sized and weighs in at several kgs a time.
I do occasionally work on larger items, today I've been fitting a vice to my work-bench using 8mm Lag-bolts and the like - a mile away from the M2 x 3mm screws used in the draw-front lock in the box!
sunnybob":24fub6lv said:
I love contrasts on my work, I use every exotic wood I can get and have no preconceived ideas of what goes with what.
I did notice that you use Plywood which does give an interesting 'stripe' effect but I'm sure you have to be quite selective. The Musical Jewellery Box using Walnut, Padauk and Burbinga doesn't 'work' for me - I think it's the Brown/Red contrast (or lack thereof!) - but it might be the closeness of colour between the Padauk & Burbinga.
I do like the 'Bird's-mouth Joint Box' - Padauk can get a good finish but needs grain filler and a lot of 'after-work'
sunnybob":24fub6lv said:
The interiors are all "Flocked" with either red, blue or black. Its a very easy and reasonably priced way of making the box look nicer without going to the expense of satin or velvet.
I suspected as much. I've known about flocking for some years but never been sure that it would stand up to the rigours of daily use. Nor have I properly searched for a supplier. I do use velvet and I have used satin, both are a pain to cut and fix accurately due to the problems of being able to cut absolutely on the weft and warp - (thinks . . . . maybe I should be cutting 'on the bias'?). The expense isn't great, even though I do use 100% silk velvet . For this box the velvet cost less than £4. When you consider the timber costs and the hours invested in such a project, that is chicken feed