It's been a long and convoluted journey for me, but I'll try and condense it.
I studied for an OND and HNC in building studies in the 80's and worked on large construction sites in Essex, but I didn't really fit in with that type of work. So I went to the west coast of the US
I started out working with wood in Oregon, on period timber houses, which I found fascinating for their craftsmanship and quality of materials, but it was all machine work and a rush to move onto the next job.
When I moved to Bergen in Norway in the 90's, I had to use a lot of hand tools, as I didn't have power tools at that time because money was tight. I had always been interested in architects like Lutyens and traditional English vernacular architecture and working on houses in Bergen really opened my eyes to quality materials such as old growth pine and historic brickwork. They had pine which was so hard and dense that paint wouldn't stick to it, but it still wouldn't decay. It was amazing stuff.
My uncle trained as a joiner in London, just after the war and when we moved to Somerset he came and helped on the 16th. century stone house we had bought. He was very old school and he spent the first 3 years of his apprenticeship sanding and finishing. He could finish like the devil, it was very impressive watching him work and I was hooked by the way he could plane to a finish without the need for sanding.
I also worked with a shipwright who had a passion for fixing up old elm barges and he also had a huge influence on the way that I worked. He used hand tools all the time, but funny enough he wouldn't let go of my electric planer which I had. He taught me about seasoning timber and I was entranced.
I then studied Historic Timber Building Conservation at the Weald and Downland museum in Sussex and started my own building conservation business using only traditional materials and techniques.
Fast forward to Denmark and this, which I bought as a basket case...
And here I am, planing by hand and selecting and converting timber for framing and lately, splitting for furniture. I'm still studying, now in London and it's old stuff and only hand tools.
I have become proficient with moulding planes and can make any profile of cornice or architrave at my bench by hand. The guys that teach at the college all work in conservation, but use power tools.
They call me Mr Old Fashioned and originally thought I was slow, but when I showed them the architrave I had made they were blown away by its size and complexity. One of them said that he would have to pay £3000 for a cutter to make it and wait three weeks before it would arrive if he wanted 3m for a job, but I could make that profile in a day and still get away with charging £3000 for the cutter.
And hand planing will teach you about wood grain faster than anything else.
As a re-payment in kind to those men who have taught me, I sit here willing to pass it all on to you free of charge.