This exhibition is essential viewing for anyone interested in late 20C contemporary design and construction. The design has not, in most cases, dated but some of the pieces are, unsurprisingly, starting to show their 40 year age with yellowing finishes and loss of the that crisp sharpness which is still visible in the catalogue.
Some of the construction is simply breathtaking and if 5 forum members cannot see how it went together 40 years on then that is a statement in itself.
It is not all immediately stunning and some of the more avant garde and less woody pieces are an acquired taste.
The disappointingly short video is fascinating in that JM expresses his underlying philosophy and it is interesting indeed. He describes how he found the shallowness and emphasis purely on the visual of some American design "obscene". A view shared by many but perhaps not surprising of a nation intent on feeding it's profligacy at the expense of anyone with the resources and irrespective of justice. He is looking for ways of displaying the inherent beauty of the timber itself in appealing designs. He rightly comments that "form follows function" is not the only philosophy, nor is the desire to be original, but that the finished piece should be "appropriate". Very true, perceptive and rarely seen.
Some of the descriptive notes accompanying the pieces contained the usual hyperbolae about designing the piece to satisfy the excruciating needs of particular clients but the reality is that these pieces were largely commissioned by wealthy individuals who wished to acquire some fashionable kit. That does not diminish some stunning design and, apart from the masterpiece of the mitre chair, I would pick out the triangular table lacking any straight edge with some lovely lines and awesome construction.
Get there.