big soft moose":1u91dg0z said:
mark sanger":1u91dg0z said:
Trust me if someone copied my work tried selling it as theirs I would not be so charitable.
I think its basically about respect - I've been trying to emulate mark hancock's swirly vase things (without a lot of success) for as long as ive been turning , but even if i could succesfully do them I'd only do one for personal pleasure and to demonstrate to myself that i could - It would be a cold day in hell before i tried to shoe horn into his market.
I totally respect that if i'm ever going to make myself a name turner (flying pigs etc) like mark (and you) It needs to be with a style that is my own - not a pale imitation of someone elses work.
Likewise this
http://www.marksanger.co.uk/mark_sanger ... isdom.html is beautiful and something i'd take some inspiration from - but it would definitely be inspiration not imitation. Incidentally is that ball fixed as part of the bowl or is it jus sitting in it ?
Hi
I had written a lengthy response to this and just as I went to send my internet connection went down and that was several hours ago. At least when I ruin a piece I just get grazed knuckles and I know how to sort it, flaming computers :x
I am with Roger about emulation being flattery.
I too when I started looked every where for inspiration and still do. It is important to me to keep up with what is going on within current trends, say within interiors.
I use to try to emulate the finials of Cindy Drozda but was never happy as I always returned to what I liked doing and what made me happy which was making simple forms. I found that unless I was making what " I really wanted to make" then my work seem superficial in it's appearance and the connection I had with it.
Once I stopped trying to find my " signature" type work I found that things just evolved slowly and all of a sudden I ended up with something that I was happy with and felt was individual.
It is very difficult as everything that we see has probably been made in some variation at some time through history, especially if we go back through Chinese ceramics and similar which have thousands of years of heritage.
What for me is the most important point within work is that I truly believe that what a person makes should be what makes them happy and what comes from within.
Basically the essence of who they are as a person. For this to happen I need to connect deeply with my work but can not do this all of the time. Reality dictates that I have to make lots of bowls, platters candle holders and other utility items that people buy regularly. This though allows me time to let an idea evolve and develop in my mind until it comes out. And I also input some of these into my regular work. Such as a arbotech carved rim platter.
I am glad you like the "Unmovable Wisdom" piece which itself evolved from my thoughts and feelings.
The black bowl represents the mind. The circle cut out represents a pure thought of calm and depth. The curved cut out represents a conflicting thought full of energy. The sphere represents a centred mind/thought of wisdom which is not being distracted by what is happening around it.
The idea came originally from a interest in Zen and how people meditate and various related ideas coupled with my own life on the tread mill before I gave it all up.
Yep it's deep but I like my turning ( when I do the artistic work) to be a form of mechanism for a way in which I can express my thoughts as opposed to being the end in itself. I just chose turning to be my hobby years ago and did not know at that time where it would go.
Before I forget the ball is not fixed but does have a flat base of around 15mm. I did this as it is important that the ball stays in the middle and if it was out onto a sideboard that was not level it may move.
The way I sometimes like to work is this, and may be you could try it as it is a good way of getting ideas.
I think of a situation or subject that I want to explore. IE with my wall hangings I thought of a child and parent "Nurture"
I then try drew my thoughts about this as quickly as I could so that it was spontaneous and not restricted. I want to put my thoughts into a descriptive medium say a wall hanging, or as in "Natures Bounty" which I think I also posted.
Once I am happy I evolve this into my turning. It some times does not work but some times does.
When I am turning the piece I will also change it at any point that another idea comes into my head. This way the work is free and truly the essence of who we are.
There is nothing wrong with taking inspiration from another's work and evolving it into your own interpretation and idea as long as in my view the work is credited.
But you soon find that this does not give true satisfaction and your own style evolves ( as long as in my opinion we become connected to what we do) otherwise we are just making items and not creating.
There I go again.
Thank you
Mark