Cheshirechappie
Established Member
Well - we've had plenty on mortices of late - so how about something to bung up the hole, as it were?
I was taught to cut tenons at school. The drill was to catch the workpiece in the vice, sloping away from you as you stood side-on to the bench, looking 'along' the vice, if you see what I mean. Then saw on the waste sides of the lines, down the side and across the top, so the first cut is triangular. Then turn the workpiece round in the vice, and saw down the other side. Finally, tip the workpiece up vertical, and saw out the remaining triangle. That way, you were always sawing only lines you could see. Finally, catch the workpiece horizontal, and saw the shoulder. Any further cuts for haunches and so on were then marked in pencil and sawn.
The saws we had at school were 12" crosscuts, about 12 tpi from memory. They did a decent enough job, and in my early years at home, a Roberts and Lee Dorchester of similar configuration did all my tenoning. More recently, I tried a rip-filed backsaw - and was amazed at how much quicker the cut was. It seemed to wander less as well - maybe fewer strokes made for less chance of deviation.
At school, we were expected to cut to fit direct from the saw. Some of us managed it reasonably frequently after a bit of practice, but some people never got the hang of it - I'm sure this sort of teaching approach and expectation put some people off woodworking for life! I still aim to cut to fit direct from the saw, and mostly get there or thereabouts, trimming with a wide chisel if I have to. That's probably harder than sawing to the line! It does take care not to over-pare.
Oddly perhaps, when cutting shoulders, we were not taught the trick of chiselling a little start for the saw - it was assumed that the marking knife had severed the fibres cleanly enough to give a neat fit. I do tend to use the chisel trick these days for 'nice' work (but not for 'just bang it together' stuff), and it does give a nicer finish with less chance of tearing, mainly because my knife-lines are not often heavy enough to sever fibres deep enough to completely avoid some tearing.
There must be lots to add - over to you, chaps!
I was taught to cut tenons at school. The drill was to catch the workpiece in the vice, sloping away from you as you stood side-on to the bench, looking 'along' the vice, if you see what I mean. Then saw on the waste sides of the lines, down the side and across the top, so the first cut is triangular. Then turn the workpiece round in the vice, and saw down the other side. Finally, tip the workpiece up vertical, and saw out the remaining triangle. That way, you were always sawing only lines you could see. Finally, catch the workpiece horizontal, and saw the shoulder. Any further cuts for haunches and so on were then marked in pencil and sawn.
The saws we had at school were 12" crosscuts, about 12 tpi from memory. They did a decent enough job, and in my early years at home, a Roberts and Lee Dorchester of similar configuration did all my tenoning. More recently, I tried a rip-filed backsaw - and was amazed at how much quicker the cut was. It seemed to wander less as well - maybe fewer strokes made for less chance of deviation.
At school, we were expected to cut to fit direct from the saw. Some of us managed it reasonably frequently after a bit of practice, but some people never got the hang of it - I'm sure this sort of teaching approach and expectation put some people off woodworking for life! I still aim to cut to fit direct from the saw, and mostly get there or thereabouts, trimming with a wide chisel if I have to. That's probably harder than sawing to the line! It does take care not to over-pare.
Oddly perhaps, when cutting shoulders, we were not taught the trick of chiselling a little start for the saw - it was assumed that the marking knife had severed the fibres cleanly enough to give a neat fit. I do tend to use the chisel trick these days for 'nice' work (but not for 'just bang it together' stuff), and it does give a nicer finish with less chance of tearing, mainly because my knife-lines are not often heavy enough to sever fibres deep enough to completely avoid some tearing.
There must be lots to add - over to you, chaps!