scrimper":1nivasll said:
Thanks for the pictures they are very interesting, my favourites are the Victory and the Imperial. The Victory looks to be very sturdy!
I am a bit dubious of that block of wood that is used to mount the saw on top of the legs on the imperial? I have always assumed that this part was a metal casting like all the others, is it possible that it was used to replace a missing or damaged part?
The imperial that my Grandfather owned also incorporated a drilling attachment on the right hand side powered by a second drive belt.
I,m pleased that you find the saws interesting. If I had to choose a favorite it would be the Royal the Victory is the most impressive but it is very hard work to use and I can't understand what it would have been made for it has a 26" throat depth so in theory you could cut out in the centre of a panel 4 foot wide but there is no way you could support that on the table and reach the treadle with your feet. The Royal however has a true parallel motion and is a joy to use and is a nice design.
I think that all the saws are important in their own way as they show the development of the modern scroll saw and the Gem is the worst of the bunch but would have been Hobbies best selling saw due to it's lower price and with the complexity of most of the patterns also sold by Hobbies at the same time most users would have been happy with the results much the same situation arises today in that there are a range of saws available at different prices. It would be unfair the compare the Royal to the Gem but I expect that buyers in those days didn't expect them to perform the same.
You may be right about the wooden top on the Imperial I don't know that is how it came and the wood looks very old but may not be original from what I have been able to find out I think that the drill may have been an extra that could have been purchased for both the Imperial and the A1 but once again I am not sure.
As time allows I am trying to find out more about the development of the Hobbies saws and fill in the gaps of the ones I don't have.