Fabulous. Are you going to demonstrate making a sash pocket with it? After I finish my long-running casement I will have a go at a box sash, the mount of page-space in the old books on cutting pockets is significant.dug this out it's sharpened with bevels on both sides as i use it for lettering.
Apparently…I've never found out what the chisels are for exactly. Maybe the cut down the parting slip slot after the saw cuts across the stile?
That would be greatI've actually got a demo sash case i made with 1275gt a few years back with the pockets made and cut. I'll take a few photos and post them up. I didn't use the sash pocket chisel I used a small (150mm)Japanese woodpecker saw.
If that's more from "Handbook of Door Making Window Making and Stair Casing" ed Antony Talbot? I'd be a bit sceptical!
I never do mine like fig 2a unless really forced to, I always cut them on the inside section of the pulley lining so that when they are in place with the parting bead there is no part of the pocket exposed to the outside.
No, it’s Ellis, I’m liking that one these days.If that's more from "Handbook of Door Making Window Making and Stair Casing" ed Antony Talbot? I'd be a bit sceptical!
Have seen those middle of lining pockets but never done one.
I've always done them the simple way (fig. 2b) - 4 sawcuts across the stile and one keyhole saw cut down the slot, then break it out with a hammer. Seems to work OK it goes back in and you don't have to make a separate piece to fit the hole
Except some big ones I did in Ireland, where the weight pockets were cut into the inside lining, for a reason. I might have some photos I'll have a look (pre digicam days).
It's how I made mine and you can get to both weights easily with just one pocket. I followed Ellis every time and made a second storey projecting bay window for a 19th C. house in Dartmouth from Ellis to.No, it’s Ellis, I’m liking that one these days.
Which, 2a or 2b? You can get to both weights either way.It's how I made mine and you can get to both weights easily with just one pocket.
The book problem is that you never quite know the authors' sources. Are they describing widespread universal common practice or the latest "good" idea or a higher than average spec for its own sake? I've seen the central pocket on higher spec windows in Buxton but couldn't see the point of it.I followed Ellis every time and made a second storey projecting bay window for a 19th C. house in Dartmouth from Ellis to.
It's a very good book to follow.
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