OK, I just read more about krenov than I ever did before. for those of us unaware of his history:
* lived in the US
* moved to europe with his mother a *long* time ago
* ended up in sweden hiking and fishing a lot, and eventually took a job for a modelmaker who built things for restaurants (this seems like an odd line of text, but that may just mean building little details that restaurants would like to have for uniqueness - vs. big coarse joinery).
* got a 2 year education from someone famous for design in sweden (I may be butchering some of these a bit - this isn't a peer reviewed summary)
* worked in his basement, sold a book and it sold better than he expected - 1970s
* got a permanent job at a college around 1980 (there's a lot of time between 1920 and 1980 - if I recall correctly, frid was already out of industry work and teaching by the time he was in his mid to late 30s?)
here's the departure in the US vs. Europe - my grandparents came to financial comfort in the 1950s. In the US, tradition didn't really amount to much - at least in keeping things. American and European history for them was a big thing, but you don't have to fill your house with crap to know about something.
The wiki entry makes it sound like krenov got traction in the 1970s when he wrote a book, and the excerpts google brings about are a bit on the woo side. They're not the whole technical design and aspects, but more about the "touch" or "harken back to hand made" kind of thing. I guess that hit big here in the 1970s after the hippies and counterculture, and probably was about when hobby woodworking took on more than crude stuff for most here.
It also coincided perfectly with the period when disposable income started to expand greatly in the US (coming out of the 70s and through to now, disposable income has exploded). If the same book had been written in the 40s, it would've probably fallen flat.
(this departure mentioned as frid and peters are often mentioned as having had a go in production woodwork and it sounds like krenov was more like a "make it in the basement for a while" kind of guy.
Sellers....not in the same conversation. I don't see any evidence that he ever made a living on mid-high to high end work, but he does have a lot of the woo).
* lived in the US
* moved to europe with his mother a *long* time ago
* ended up in sweden hiking and fishing a lot, and eventually took a job for a modelmaker who built things for restaurants (this seems like an odd line of text, but that may just mean building little details that restaurants would like to have for uniqueness - vs. big coarse joinery).
* got a 2 year education from someone famous for design in sweden (I may be butchering some of these a bit - this isn't a peer reviewed summary)
* worked in his basement, sold a book and it sold better than he expected - 1970s
* got a permanent job at a college around 1980 (there's a lot of time between 1920 and 1980 - if I recall correctly, frid was already out of industry work and teaching by the time he was in his mid to late 30s?)
here's the departure in the US vs. Europe - my grandparents came to financial comfort in the 1950s. In the US, tradition didn't really amount to much - at least in keeping things. American and European history for them was a big thing, but you don't have to fill your house with crap to know about something.
The wiki entry makes it sound like krenov got traction in the 1970s when he wrote a book, and the excerpts google brings about are a bit on the woo side. They're not the whole technical design and aspects, but more about the "touch" or "harken back to hand made" kind of thing. I guess that hit big here in the 1970s after the hippies and counterculture, and probably was about when hobby woodworking took on more than crude stuff for most here.
It also coincided perfectly with the period when disposable income started to expand greatly in the US (coming out of the 70s and through to now, disposable income has exploded). If the same book had been written in the 40s, it would've probably fallen flat.
(this departure mentioned as frid and peters are often mentioned as having had a go in production woodwork and it sounds like krenov was more like a "make it in the basement for a while" kind of guy.
Sellers....not in the same conversation. I don't see any evidence that he ever made a living on mid-high to high end work, but he does have a lot of the woo).