Cozzer
Established Member
....earlier, featuring the talent of Silas Kopf.
He's blessed with an Excalibur Sommerville (with an astoundingly long throat), with the table set to give a bevelled cut with his 2/0 blades.
He's an expert. I'm far from.
He has an Excalibur. I haven't, but have a very tasty Proxxon DSH, the model with variable speed.
The only thing we have in common, therefore, are the 2/0 pinless blades....
When he's cutting his completed cartoon (a tulip) into his background veneer, he uses a waster, top and bottom.
Up to that point, there's no waster involved with cutting any of the design parts.
The video shows him holding 2 veneers, with the grains in any direction that suits, cutting each petal along a drawn line in order to fit perfectly with its neighbour.
The veneers appear to be the same circa 0.6mm as we get in the UK, but there's no splintering, no blade wander, no "shards" flying off.
His machine doesn't appear to be on a particularly slow or fast setting, and he doesn't appear to be holding the two veneers down with any great strength either side of the blade.....
So how's he managing amazing neat cuts in such thin material?!
He's blessed with an Excalibur Sommerville (with an astoundingly long throat), with the table set to give a bevelled cut with his 2/0 blades.
He's an expert. I'm far from.
He has an Excalibur. I haven't, but have a very tasty Proxxon DSH, the model with variable speed.
The only thing we have in common, therefore, are the 2/0 pinless blades....
When he's cutting his completed cartoon (a tulip) into his background veneer, he uses a waster, top and bottom.
Up to that point, there's no waster involved with cutting any of the design parts.
The video shows him holding 2 veneers, with the grains in any direction that suits, cutting each petal along a drawn line in order to fit perfectly with its neighbour.
The veneers appear to be the same circa 0.6mm as we get in the UK, but there's no splintering, no blade wander, no "shards" flying off.
His machine doesn't appear to be on a particularly slow or fast setting, and he doesn't appear to be holding the two veneers down with any great strength either side of the blade.....
So how's he managing amazing neat cuts in such thin material?!