ScottyT
Established Member
It’s been a while since I have posted anything up here as it’s been pretty busy and fairly run of the mill stuff, I am in the process of making a semi circular headed side gate, and although it’s not particularly interesting i do sometimes make these in an alternative way to a bridle joint and key so i thought I would let you in on it to see what you guys think.
There are pros and cons to it as with most things.
It all starts with a nice new shiny sheet of MDF, a drawing, and some setting out tools, and on we go………
So the drawing isn’t quite right, the middle rail is in the wrong place but other than that it’s ok, I am only after the height and width to be honest and what it’s supposed to look like.
It’s 63 thick, with 120 posts and a 120 arch that sits over the top of the lot, 45’d onto the tops of the posts.
Pretty much all I use plus a tape measure for setting out, and my rubber mallet if I make a mistake.
The crux of this job is all in the setting out and the templates, the templates are critical in the way this is going together so I need to be really accurate in marking out!
Now the above photo shows a lap joint where the stiles meet my curved head, and it’s this where the templates need to be really good, as my stiles also incorporate the arched top, replacing the usual bridle joint I would otherwise use. The bit I like about this way of making an outside gate like this is i can do away entirely with a key at the top to join the two curves, or if it’s lapped I avoid the off centre joint!
I would also say this way is ideal for a big old outside gate as it’s possibly more robust given the thickness of the joints and jointing method.
Above is my templates, I will need one for my stiles, one for my head and one for the arched top going over the lot. All my radius measurements I worked out on the rod so it’s real simple to know where i am going at this stage.
The stile template needs to be spot on, there is disadvantages to this method, and it’s in this template. If it’s slightly out it’ll be an uphill struggle from here as it’s profiled to width on its face directly from the template, and if the curve runs in or out on the inside or outside or both when I cut it out it’ll be all kinds of trouble come assembly.
Here’s the template routed out, I used the factory edge of the sheet for the outside of the stile (left in the above photo) and ran the inside of the stile on the table saw leaving myself a little richness in the casting to hand plane to the correct width and smooth out the kerf marks left from the saw.
I spoke shaved the transition of the curve to the straight section on the stile and that about completed it. The other templates were straight forward.
It’s now time to hit the timber rack to see what we have got to play with
This piece will do all my curves, a little shaky on the end but all was well a little ways in to the plank. It was a bit tricky to cut out as the tennoning machine was in use at the time which is behind the band saw, and the portable bandsaw only had one band left at the time, so i let the chainsaw dog out the majority and saved the band for the curves. Bit of a pain but it sometimes goes like that.
Another draw back to this method is the waste, my stile stock needs to be more than double what it would be for a standard way, but by putting tie templates top and tail to one another before cutting it’s not that wasteful.
I got all my rails out at the same time out of one long plank (I am using 3” Iroko for this job) and pushed it through the Stenner (green resaw in the background of the second above photo) makes much lighter work of it than the table saw. From here it’s in to the machine shop to get it all prepared ready for phase two.
I am treating the posts and arched top as a separate job as it’s not a frame as such that I am fitting the door to, it has no rebates in it for the door to sit into etc etc so no real need to make it before or alongside.
There are pros and cons to it as with most things.
It all starts with a nice new shiny sheet of MDF, a drawing, and some setting out tools, and on we go………
So the drawing isn’t quite right, the middle rail is in the wrong place but other than that it’s ok, I am only after the height and width to be honest and what it’s supposed to look like.
It’s 63 thick, with 120 posts and a 120 arch that sits over the top of the lot, 45’d onto the tops of the posts.
Pretty much all I use plus a tape measure for setting out, and my rubber mallet if I make a mistake.
The crux of this job is all in the setting out and the templates, the templates are critical in the way this is going together so I need to be really accurate in marking out!
Now the above photo shows a lap joint where the stiles meet my curved head, and it’s this where the templates need to be really good, as my stiles also incorporate the arched top, replacing the usual bridle joint I would otherwise use. The bit I like about this way of making an outside gate like this is i can do away entirely with a key at the top to join the two curves, or if it’s lapped I avoid the off centre joint!
I would also say this way is ideal for a big old outside gate as it’s possibly more robust given the thickness of the joints and jointing method.
Above is my templates, I will need one for my stiles, one for my head and one for the arched top going over the lot. All my radius measurements I worked out on the rod so it’s real simple to know where i am going at this stage.
The stile template needs to be spot on, there is disadvantages to this method, and it’s in this template. If it’s slightly out it’ll be an uphill struggle from here as it’s profiled to width on its face directly from the template, and if the curve runs in or out on the inside or outside or both when I cut it out it’ll be all kinds of trouble come assembly.
Here’s the template routed out, I used the factory edge of the sheet for the outside of the stile (left in the above photo) and ran the inside of the stile on the table saw leaving myself a little richness in the casting to hand plane to the correct width and smooth out the kerf marks left from the saw.
I spoke shaved the transition of the curve to the straight section on the stile and that about completed it. The other templates were straight forward.
It’s now time to hit the timber rack to see what we have got to play with
This piece will do all my curves, a little shaky on the end but all was well a little ways in to the plank. It was a bit tricky to cut out as the tennoning machine was in use at the time which is behind the band saw, and the portable bandsaw only had one band left at the time, so i let the chainsaw dog out the majority and saved the band for the curves. Bit of a pain but it sometimes goes like that.
Another draw back to this method is the waste, my stile stock needs to be more than double what it would be for a standard way, but by putting tie templates top and tail to one another before cutting it’s not that wasteful.
I got all my rails out at the same time out of one long plank (I am using 3” Iroko for this job) and pushed it through the Stenner (green resaw in the background of the second above photo) makes much lighter work of it than the table saw. From here it’s in to the machine shop to get it all prepared ready for phase two.
I am treating the posts and arched top as a separate job as it’s not a frame as such that I am fitting the door to, it has no rebates in it for the door to sit into etc etc so no real need to make it before or alongside.